The starting point of my practice is based on form, its external spatial boundaries and aesthetics, often in interest for the ugly, the fallible. This is where I experience the connection between the arts and the common valuation of the beautiful. In my point of view, I see that through the anti-aesthetics occurs an illumination of the aesthetics.
I see form and space as central to the way we experience and perceive, how we are influenced by the things around us. Through material experiments I try to put form and objects into play, in the study of the nature of shape and space.
( tekst fra europeanceramiccontext.com )